FILM PRODUCTION
I was born into a family of documentary filmmakers, spending my childhood traveling from one end of Peru to the other. I remember being on the roof with my dad, pointing the camera toward a religious procession a mile away. It was in our nature to shoot, manage time, and build makeshift shelters so the camera wouldn't get wet in the rain.
Earlier this year (2026), I earned my certification as a Line Producer from the Institut National de l'Audiovisuel.
I have been making indie films since 2016. Below are two of my biggest productions.
tHE mAN wHO sPITS aCID
Quantum Macross Productions (TBR 2027)
I coordinated twenty-five days of shooting in the streets of Paris with several actors. Two scenes needed special permits as prop guns were involved. Four days of shooting were on a public staircase with a wooden crane two meters high. Two other scenes near rivers in Paris also required special care as double permits were required. There were zero delays and production ran smoothly despite the great number of outdoor shoots. On a rainy day I was able to change the scheduled permit to shoot in Bobigny, under a bridge, instead of shooting at Pantin, on a bridge. We chose to add the rain to that one small scene so it played in our favor.
SAMSARA REDUX
Project Hunting Production (TBR 2027)
The gigantic basement of the old Virgin Records warehouse was transformed into a futuristic environment.
One hundred meters of sets were built for this sci-fi movie, and a crew of fifteen technicians and ten actors
were fully catered for.
What followed was ten days of an incredibly fast-paced shoot. The VFX coordinator and makeup team encountered only minor difficulties. The biggest hardship was the electrical box that failed for an entire morning. We worked around this by combining shots into longer takes with coverage, and choosing angles that would allow us to use body doubles later when some cast members were unavailable.
