FILM DIRECTION
As an author, my subjects are "vulnerability as strength" and "humans against systemic mazes."
My longer aim is to tell stories that help us understand, through feeling, that we are systems within systems. To show how they work, so that we can dare to imagine how to change them completely.
To see ourselves not as fleeting accidents of flesh, but as participants in an unfinished human story, capable of shaping, in union, in trust, its global course.
FILMS IN PROGRESS
tHE mAN wHO sPITS aCID
Martin and his team of undercover agents are in charge of detaining potential terrorists in the suburbs of Paris.
The state of France forces them to use only their fists as the government would not sustain more controversies. Nevertheless, Martin starts to become incredibly uncomfortable with the descriptions he receives of the suspects. The high command starts to call these people "psycho-terrorists" and all around the city people start to become crazy.
SAMSARA REDUX
A roofless room of infinite height bears a dense black column that descends from the center of the dark.
Below is hollow, filled with inscrutable light. Marlon wakes up not knowing how he got there. There are people screaming around him, seated and handcuffed like him. In the dark, a young man is standing in the room too. Nobody saw how he got free. Yet his seat is empty, his handcuffs opened. The people distrust him instantly. Marlon hides his own feelings to win the boy to his side. The column shines, a key appears, the boy takes it. Two streams of light reveal what it opens: It is either a door, which frees oneself, or a center lock, which frees all the rest. All too bad for the kid: a regressive count has begun...
