I work daily with tools like Runway and Luma, which keeps me fluent in the pipeline I direct.

For commissioned brand work, the rights setup is handled properly, and cleared on every layer. Video Image generation runs under an enterprise plan and agreement, put in place before work begins. This is done in order that the client material is not used to train any model; each piece of music is either composed under a rights-assignment contract with the author or bought per track under a perpetual commercial licence; and sound design is built from licensed libraries I own with full clearance, or recorded from scratch with my own gear. My production background is what makes that clearance a priority: I know how to secure it, cost it, and plan it into every project.

Note: While I previously focused solely on AI pre-visualization, recent advancements in model optimization have allowed me to expand my services to full controlled-generation production. By incorporating: hand-drawn sketches, 3D mockups, and custom depth maps, all of which allow me to retain full creative authorship.
I now deliver complete final pieces, including sound design. I continue to offer specialized pre-visualization services, particularly for major events that require precise presentation and design.