FILMS IN PROGRESS
tHE mAN wHO sPITS aCID:
Martin and his team of undercover agents are in charge of detaining potential terrorists in the suburbs of Paris.
The state of France forces them to use only their fists as the government would not sustain more controversies. Nevertheless, Martin starts to become incredibly uncomfortable with the descriptions he receives of the suspects. The high command starts to call these people "psycho-terrorists" and all around the city people start to become crazy.
SAMSARA REDUX
A roofless room of infinite height bears a dense black column that descends from the center of the dark, but below is hollow, filled with light. Marlon wakes up not knowing how he got there. There are people screaming around him, seated and handcuffed like him. In the dark, a young man is standing in the room too. Nobody saw how he got free. Yet his seat is empty, his handcuffs opened. The people distrust him instantly, and Marlon hides his own feelings to win the boy to his side. The column shines, a key appears, the boy takes it. Two streams of light reveal what it opens: It is either a door, which frees oneself, or a center lock, which frees all the rest. All too bad for the kid: a regressive count has begun...
FILM DIRECTION
Preproduction as previz artist or storyboarder has been my professional work for years, and it serves what I am at heart: an independent filmmaker. I know the real hassles of producing something from scratch. Now that I use AI and have an education in film production, I can see more broadly the fields of opportunity in front of me. I also work to respect the planet in my methods and in the story itself. Today I am directing, and open to the right projects.
